Following my previous post in which I summarized my thoughts about film in 2011, I think it would be interesting to continue the so-called “Vanguard Award” idea and expand it to include categories that are handed out in the Academy Awards.
The Vanguard Awards will be handed out by The Blog of Big Ideas to films, actors, and film makers that advanced cinema with their artistic vision and dexterity, helping to construct some of the most interesting pieces of art of the last year. It will be an annual award handed out on the same day as the Oscars. In subsequent posts of this coming year, I will be nominating films that I think should be given consideration until it all comes to a close with the awards themselves.
The Vanguard Award will be given to films of artistic relevance, where there are aspects that are unique, original and that may even be considered ahead of its time. This is not to say that the recognition I give to these films necessarily means that these are the films I thought were the best, just the most thought-provoking.
♦ Vanguard Film ♦
Drive (Nicholas Winding Refn)
Melancholia (Lars Von Trier)
The Tree of Life (Terrence Malick)
Take Shelter (Jeff Nichols)
Bellflower (Evan Glodell)
Continue reading The Blog of Big Ideas’ 1st Annual Vanguard Awards
With much left to write to update my IMDB TOP 250 film challenge, I give you a few reviews of some of the films I have seen recently.
Moneyball (2011 – Bennett Miller): not being a fan of baseball in any way, I can say it is quite an accomplishment for a film that revolves around the sport to have captured my attention so deeply. In fact, I will go out on a limb and say it is the best performance of Brad Pitt’s career and I would go even further and say he is in my short list in the Best Actor category of 2011. I confidently state it because I could not imagine anyone else playing the part of Billy Bean, the former sporting director of the Oakland Athletics that significantly changed the philosophy on how to manage a major league baseball team.
The film’s script is smart, funny and carefully crafted. It provides a great portrait of Billy as a person, exploring not only his love and devotion for baseball, but his insecurities and deeply personal struggles. The cast around Brad Pitt is equally persuasive, with the great Phillip Seymour Hoffman as a standout in the role of manager of the Oakland A’s. The cinematography is equally impressive. Baseball fields are treated as temples that are to be admired, which also serve as catalysts to people’s hopes and fears.
Props go to Jonah Hill who was convincing as Brad’s geeky sidekick.
Rating: 4.5 out of 5 (excellent)
Continue reading 1-minute reviews: Moneyball, Horrible Bosses, Matchpoint, Immortals, Like Crazy, and more…