Tag Archives: Steve Carrell

Months in Review: Films of July & August 2018 (part 1)

Summer has come and gone. September greets us in Chicago with the wettest Labor Day weekend in memory. It rained Saturday, Sunday and it stormed on Labor Day. I have had a view of the lake for the last 2-3 years and it looked as if a monsoon had passed. It was quite a spectacle.

Summer has been very interesting from a cinematic point of view. I finally found time to watch Asif Kapadia’s moving 2011 documentary on Amy Winehouse. This was a film that was on my radar for a long time after the very emotional experience I had watching Senna, his previous documentary feature. The majority of my time though was put into catching up with a string of wonderful films released this year, a highlight of which was You Were Never Really Here by Lynne Ramsay.

Continue reading Months in Review: Films of July & August 2018 (part 1)

Months in Review: The World Cup + Films of May & June 2018 (part 1)

As the warm summer breeze begins to sweep by Chicago’s sandy lakeshores, one is hard-pressed to find justification for staying indoors. As enjoyable as a film can be, the allure of being able to wear a t-shirt outside after a long wintry hibernation can sometimes prove too tempting.

If the summer is also accompanied by the 2018 edition of the World Cup, then the act of film watching becomes an impossibility. There’s simply no time after putting in an 8 or 9 hour work shift, to find time to watch a movie after you’ve also enjoyed two 90-minute games of soccer.

Continue reading Months in Review: The World Cup + Films of May & June 2018 (part 1)

Months in review: March, April & May

Mad Max Fury

Sometimes it takes moving from one place to another, being extremely busy with work, renovating a new condo, dealing with some family matters and trying to sell the place you’ve been living in for the past year to realize that whatever you thought “busy” meant; it is probably nothing compared to how it has been lately.

Even though my blogging has continued to suffer, I still try to make time for movies. In the last three months I have managed to watch 25 films (11, 10 and 4 respectively). The average score in March was a decent 2.95/5, while April passed with a slightly better 3.1 and May was pretty great with an average of 3.875/5. Of the 25 films, four cracked the 4/5. First, it was the very bleak yet very powerful Oslo, August 31st, followed up by the very well-made documentary Life Itself that touches on the life of the late and great Roger Ebert., the moving doc Dear Zachary and the sensational Mad Max: Fury Road.

Below a summary, in order of viewing, with short reviews of each film I saw in the last 3 months. You might also notice quite a number of sci-fi films, especially those interested in robots and artificial intelligence:

Continue reading Months in review: March, April & May

Months in review: March, April & May (part II)

Continued from last post.
Below a list of short reviews of films, books and videogames watched, read or played in the last couple of months. Due to unexpected delays, I had to add films that I’ve watched in May. Hopefully I can catch up by next month.

FILM: (cont.)

AMERICAN HUSTLE (2013) [4/5]

American Hustle

 

Probably the wildest and funniest film by director David O. Russell up to this point. Find my full review here.

Continue reading Months in review: March, April & May (part II)

Best movies of 2010 sans The King’s Speech

It is, like every random list you might find in the web, subject to personal taste. It is also a list that is impaired by the absence of some of the films that were considered among the best in the last full calendar year of movies among which are titles like The King’s Speech (Oscar winner for Best Picture) and True Grit. However, I can assure you that my analysis is based on a passionate interest in film, having spent an infinite amount of hours watching countless amounts of movies, reading film criticism, listening to interviews made to some of the best exponents of the medium, and having spent enough time to interpret and dissect what I had the pleasure (or displeasure) of watching.

My rating system will be based on a scale of 0 to 5. The higher the number, the better the movie.

A score of 5 will be extremely rare as it is reserved to those movies that I consider “fantastic” and pretty much “flawless”. Less rare but still very difficult to come by will be those with a score of 4.5 which would be just a step bellow, in the realm of “masterpiece”. The great and really good movies will mostly fall under a score of 4 to 3.5. Scores falling between 3 and 2.5 will be considered acceptable and average respectively. Once we hit 2 and 1.5 we are talking about movies with very few redeemable qualities that are poor in various aspects. Anything bellow that, well, it’s simply horrible.

Here are my picks for the ten best pictures of 2010 and a brief summary of what made them so great:

1. Inception (4.5) : a highly complex story that surprises, entertains and stimulates all of your senses. It is not only highly original material, but it’s a blockbuster that does not over-rely in the usual niches of action/thrillers. The film moves with amazing pace. It’s restless, emotional, intense and incredibly smart. The product could have been awful, but instead it was the finest work Christopher Nolan has ever produced.

2. Toy Story 3 (4.5): the very emotional end to the saga that defined and created the most consistent studio of the last 15 years: Pixar. It is a fit ending for a trilogy that connected with audiences of all ages because its message relates to everyone who has ever experienced friendship and camaraderie.

3. The Social Network (4): a fascinating story about the rise and fall of the minds behind the biggest social networking site in the world: Facebook. The script moves ahead with audacity and intensity. The casting was bold and inspired. Most importantly though, the movie resonated with moviegoers and critics alike for its raw and sometimes tragic portrait of a generation so consumed by technology that it has started to forget what makes us human.

4. Black Swan (4): despite being a very predictable story, this film delivers constant thrills. Visually, the movie has a stunning mysterious and tragic aura that greatly enhances the effect of the story. The acting was, without question, sensational, elevating the film with every gesture and every detail.

5. Scott Pilgrim vs The World (3.5): Hilarious. Visually rich and extremely original.

6. Salt (3.5): explosive, incredibly intense and with enough twists and turns to keep you at the edge of your seat. Angeline Jolie once again shows her unmatched ability to play an action heroine in a role that thrills and engages.

7. The Fighter (3.5): great acting, very emotional and moving story. Christian Bale steals the show.

8. Let me In (3.5): a remake that does not feel like a remake. A quiet, slow-paced but incredibly suspenseful film that shows that vampire movies can be of great quality when done right.

9. Date Night (3.5): it is predictable in its formula, but Tina Fey and Steve Carrel have a comedic ease and chemistry that elevates the movie to hilarious levels. In its ridiculousness and over-the-top antics, the movie still manages to portray a believable couple trapped in the middle of an unbelievable series of events.

10. 127 Hours (3.5): an acting tour-de-force by James Franco. The movie is almost 90 minutes of agonizing desperation, tragedy, nostalgia and physical pain, but the crafty and talented directing together with the amazing acting give the movie a power that inspires.

Honorable Mention – Kick-Ass (3.5): it received mixed-reviews when it premiered and is, perhaps the only film in this list that has not received the acclaim of the rest I have touched upon. However, there is an absurdity and outrageous quality to this film that makes it interesting, entertaining and excitingly controversial.

Final thoughts:

It wasn’t a particularly good year for movies I believe. There have certainly been better years in recent memory such as 2007 when we got classics like There Will be Blood and No Country of Old Men (two of the best movies ever made) in the same year.

No movie, in my opinion, deserved to receive a flawless or perfect score for I believe they were all flawed in some way or another. Inception could have been well-served with a more twisted and less linear quality to the “dreams”, while Toy Story 3 could have relied a little less on typically grandiose Hollywood scenes.

I promise to review the other notable exclusions in the near future when I have the opportunity to see them.

Niels