Tag Archives: Ryan Gosling

Year in Recap: Best of 2017

The year that is about to end was a year of change. On January the 1st, I found myself in a strange town, emotionally hurt and surrounded by people I did not want to be surrounded by. It was the least auspicious beginning to a year that I can remember.

Fortunately, life has a way of sneaking up on you, for good and bad, and less than two months later I welcomed a new person in my life that has made me rediscover love, and regain the hope that happiness is not only attainable, but that it has always been within my reach should I dare to make some changes.

Continue reading Year in Recap: Best of 2017

Months in Review: September & October films (part II)

Continued from the previous post, below are my impressions of the films I watched in October:

ELVIRA, TE DARÍA MI VIDA PERO LA ESTOY USANDO (2014) [ 3.5/5 ]

An entertaining Mexican dramedy that follows a housewife who must keep her life together while searching for her missing husband. Most of the film’s pleasures lie not on the story, which is derivative and predictable, but on the detours that actress Cecilia Suarez must take as Elvira to uncover the truth about her husband and rediscover herself.

I also realized midway through the film that it relies on the kind of silly hispanic humor that may not fully translate to non-Latin audiences.

FORCE MAJOURE (2014) [ 3.5/5 ]

Rarely has a film about the fragility of love and marriage has been so satisfyingly uncomfortable to watch. At first, Force Majoure is about a woman’s struggle to reaffirm her worth in a lopsided and selfish relationship, only to later become a story about a man’s newfound respect for his loved ones. It was not only surprising to see the film change its angle after an hour, but it was also disappointing. I much preferred the first hour, which included a fantastic sequence of an avalanche that threatens the life of our characters.

Filmed in the snowy heights of Scandinavia, Force Majoure is also a beautiful film to look at, both for the gorgeous vistas, but also for its architecture.

BLADE RUNNER 2049 (2017) [ 4/5 ]

The much-anticipated sequel to the sci-fi classic is an achievement in that it manages to build onto and expand the universe of the original, without feeling like an overly respectful repetition.

Like its predecessor, it moves forward meditatively, enveloping us in its futuristic world, set some 30 years after the events of the original. Once again, the film is an exploration about what it means to be human, suggesting that it resides not on intelligence but on our capacity to show empathy.

Crucial to the success of the film are director Denis Villeneuve and storied cinematographer Richard Deakins. The two create one of the most stunningly beautiful films ever made in what could finally prove to be Deakins’ turn for Oscar gold.

Unsurprisingly, Ryan Gosling also nails his starring role as the brooding and introspective detective whose job to discontinue old Replicant models poses a moral quandary from early on.

As the trailers showed, Blade Runner also reintroduces Harrison Ford some 30 years later, whose role here remains key to the Blade Runner saga even if he only shows up in the latter stages. What is even better than his return to a much remembered character is that Ford gives one of his most nuanced performances to date.

THE LAST WORD (2017) [ 3/5 ]

A cute family-friendly comedy with the kind of traditional 3-act story of an old lady who, in the space of 90 minutes of film reel, and no more than a few weeks’ worth of real time, undergoes a profound philosophical transformation as her life approaches an end.

As predictable and unoriginal as the story may be, there are pleasures to be found within the film, mostly delivered by the great Shirley McClain in a role that gives her plenty to do even if it means that the characters around her are flat and one-dimensional.

SPIELBERG (2017) [ 3.5/5 ]

A lengthy and surprisingly nuanced examination of the life and work of one of cinema’s most influential and talented directors who, in the course of 4 decades, has also managed to shape pop culture and break every kind of box office record.

With unprecedented access to Spielberg himself, some of his famous and not-so-famous friends, family and colleagues, the film offers a once-in-a-lifetime perspective into the mind of a great artist.

As a cinephile I found it endlessly fascinating and informative. The film manages to capture some of the motivations and behind-the-scenes work of a master of the medium. In accompanying his oeuvre with some details on his personal life, which he has always kept away from public scrutiny, we get a glimpse to the kinds of things that have influenced the content of his work and motivated his desire to make movies.

Ultimately, it tends to feel like a bit self-congratulatory but, when his work is put together in a single documentary, one can’t help but be in awe of his skill and the timeliness of his career choices.

THE NIGHT OF THE HUNTER (1955) [ 3.5/5 ]

A Hollywood classic found in many best-ever lists that had been a blind spot for me for much too long.

The Night of the Hunter is Charles Laughton’s one and only project as a feature film director and is, by every account, a terribly influential piece that gave us one of cinema’s most indelible villains, The Preacher, portrayed with theatrical panache by Robert Mitchum.

Like the performance itself, the piece is flamboyant in its biblical allegories, with towns that bear no trace of reality, and adult characters that exist not as people, but as instruments to tell a story about good and evil.

Though it doesn’t have the kind of attention to detail and rigorous construction of other Hollywood films of the time, The Night of the Hunter excels where others don’t, carving itself a place in the history of film by being bold and unique.

1922 (2017) [ 3/5 ]

A slow-burning horror drama about the psychological ramifications of murder. The film, which was backed by Netflix and probably saved from a quick death as a feature in theaters, stars a very good Thomas Jane playing a scruffy Southern farmer willing to commit the greatest of sins in order to save his lifestyle and his manly pride.

The film is largely effective in its mental and emotional explorations, but it fails at delivering a story with enough of a heartbeat to keep us engaged for much of its long two hours of running time.

HELLRAISER (1987) [ 1.5/5 ]

Few movies in the history of cinema owe their fame to so little. Hellraiser is a terribly executed piece of film that is filled with sequencing problems, poor acting, non-sensical characters, awful cinematography and clumsy editing. My interest in Hellraiser was lost within the first five minutes as the film wastes no time in jumping from one plot point to another to tell its nightmarish and gruesome tale.

The only noteworthy aspect lies in the design of the so-called Cenophites, evil creatures from another dimension that trap their summoner in an endless cycle of extreme pleasure and pain.

A “horror classic” that owes much of its fame to the non-sensical insanity it puts us through.

GIRLS TRIP (2017) [ 2.5/5 ]

All similarities to Bridesmaids aside, Girls Trip is a highly overrated comedy filled with half-baked characters, a messy script and at least a half dozen jokes that don’t quite land. What truly surprises me is that this film, which as derivative and commonplace as you’ll likely to find, received so much praise.

Thankfully, there is an occasional funny scene and lost in the middle of it all there is something to be said about the empowering feminism that it tries to embrace.

Preview to the Academy Awards. Best Films of 2016

The 85th Academy Awards® will air live on Oscar® Sunday, February 24, 2013.

In anticipation to the 89th Academy Awards, I have decided, unlike years prior, to post a list of my favorite films released in 2016. As it were, this is an ever-changing list which will shift and evolve as years pass, as both my tastes and my impressions on filmmaking continue to change. This is also, I presume, an incomplete list missing some highly praised bits of cinema like: The Hunt for the Wilderpeople, Toni Erdmann, The Salesman, 20th Century Women, Paterson, Elle, Fences, Lion, and some others. With that in mind, I’m satisfied with the collection of more than 60 films I did manage to watch that were released in the US in 2016. The list of “favorites” adds up to 15 films, which represents the amount of movies that I gave at least a 4 out of 5 rating. 
At the end of the post I will also offer some thoughts on the top categories for the Oscars, regarding who should win and who will likely be taking an statuette back home.

Continue reading Preview to the Academy Awards. Best Films of 2016

Month in Review: January films and tv

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January is a month of cold weather, new year resolutions and catching up with films released in the latter part of the bygone year. It is also the month of the much-anticipated Academy Awards nominations, and a sleuth of other award shows where Hollywood practices a yearly ritual of congratulating itself.

January was a good and productive month in every respect for me. In terms of film, I managed to watch a total of 14 (more than my usual of 10 or 11) with a very high average score of 3.61 out of 5. January was also the first time in about two years that I felt compelled to give a film a perfect score (La La Land), while a couple of others received 4 out 5. This month came my discovery of SyFy’s series “The Expanse“, which is easily the best first season to a science fiction show since Battlestar Galactica.

Without further ado, below is the compendium of short reviews for films in the order in which they were watched. At the bottom you will find my impressions on The Expanse.

Continue reading Month in Review: January films and tv

Film Review: La La Land

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La La Land reminds me of an old passage I once read: many great artists in history did not excel at being true originals, but at being exceptional in their craft. Such is the case of a film that without being groundbreaking manages to excel at every step, delivering a cinematic spectacle unlike any I have seen in years. Continue reading Film Review: La La Land

A return to blogging. Best films watched in 2016. 

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There is much I could tell you and share about the past year. About 10 months have passed since my last contribution to this tiny creation of mine. Fortunately for those who may still stumble upon this blog of mine, I will not bore you with the details of what happened or did not happen between then and now. Instead, I will attempt to give you my very succinct impressions about the best films I watched this year (released in 2016 or prior) despite my almost complete absence from the blogosphere.

In total, I watched 111 films in the last calendar year (7 more than I watched in 2015). The average score was a very decent 3.28 out of 5, which tells me I’ve managed to avoid a lot of duds. Notwithstanding the relatively high average, I only scored 4 movies at 4.5 out of 5, and none managed a 5 out of 5.

Without further ado, below is a list of the best films I watched in 2016 grouped by rating, but in no discernible order beyond that.

Continue reading A return to blogging. Best films watched in 2016. 

Months in review: October & November films

In the last two months I’ve seen 26 films, but only a handful of which I would consider watching again. It was a particularly poor couple of months in terms of quality and quantity that I will hopefully begin to fix with the swarm of great films that have come out to theaters or that will be coming before the year is out. I can’t remember the last time I was as excited as I am today with the group of films that are hitting theaters within the next few weeks.

For now, here is a recap of the 26 films I managed to watch between October & November (in the order in which they were seen), while a great deal of my time was devoted to countless hours of catching up with Breaking Bad (finally got to the last season).

RUSH

Continue reading Months in review: October & November films