I find myself back at my IMDB top 250 challenge after a couple of months without a single post. Magnolia, directed by Paul Thomas Anderson, marks only my 14th review since I began this series in March, which tells me I need to pick up the pace if I am ever going to finish.
Released in 1999 to critical acclaim, Magnolia is not only engrossing, but it is the sort of movie that lends itself to analysis for its purpose does not easily come across. In fact, there are sequences of the film which are downright odd, though imbedded with symbolic meaning.
Magnolia is a poem written and produced in cinematic form. It comes across as a tragedy filled with tender, highly emotional moments where lives either get significantly and permanently altered, or they meet their unavoidable end.