It has been over two weeks without a post from yours truly and I figured I needed to close the year in proper blogging fashion. Being that I will NOT be posting a best films of 2013 list before the end of the solar year, I thought I would gather my thoughts to share my favorite acting performances of the last five years.First, I will give you my favorite 10 male performances in alphabetical order followed, in a couple of days, by my 10 favorite female roles of the half-decade from 2009 to 2013 (warning: blind spots in 2013 abound!)As usual, I expect discerning tastes, and I would love to hear some recommendations as to whom should have made my list. Continue reading Top 10 favorite male performances of the last 5 years
It comes 10 months into 2012 but, for the first time, I am confident enough to make my own list of the “best” films of 2011.
Imagine how important it was for me to wait until now to publish this list, that the film that eventually ends up at the top is one that I only managed to watch 3 weeks ago. Without it, this list would have been a crime against my own taste.
Instead of giving you a top 10 or a top 20, I simply give you a run-down of all of the films that received, at the very least, a 4/5 (very good) in my rating system. The result is that there are 17 films out of the almost 100 films from 2011 that I managed to watch, 11 of which received a 4/5, five films received a 4.5/5 and only one received the very rare 5/5.
Despite still missing some highly praised films released the previous solar year (it is impossible to cover them all), I now give you my favorite films of 2011 (and why they are) when we are already in October 2012:
During the past 3 slow months worth of blogging, I have seen many different films that have not enjoyed the benefit of a review. To try to catch up I offer a long collection of small reviews of most of the films I have watched in the last three months that did not get a review until now. A total of 24 films, a couple of which will get longer in-depth reviews. The highlights of the list are Weekend and Sunshine, both very different but very pleasant surprises.
I apologize in advance if this gets a little long. Enjoy:
The French Connection (1971)
Cast: Gene Hackman, Roy Scheider, Fernando Rey
Director: William Friedkin
Writers: Ernest Tidyman, Robin Moore (original novel), Howard Hanks
Rating: 3.5/5 (good)
Starring Gene Hackman in a now famous role as tough cop Jimmy Doyle, The French Connection is an intense thriller that takes place in the harsh New York winter of 1970.
Most of the success of the film is due to its intensity and realism, displaying some of the most exciting chase sequences ever put on film. These have surprisingly lost little of their power over time, feeling current even today (minus antiquated vehicles and fashion). The cast is also excellent, further enriching the well-crafted dynamic between cops, informants, low-lives and criminals. I just wish the film had focused less on the details and intricacies of case-solving and criminal chasing and more on character-building.
My relationship with film this year has started in earnest. After a lackluster month of December in which I watched very few films, I decided to play catch-up and, at the same time, aim for some of the quality films I missed last year, with only a couple of exceptions and a few repeats.
Following is a list of all the films I have watched so far this year. I have written a small review for each film, with the exception of those I have already analyzed on this blog:
50/50 ( Jonathan Levine – 2011)
A well-written, efficient and heartfelt film about overcoming adversity and deepening relationships with the ones you love. A very compelling Joseph Gordon-Levitt stars alongside Seth Rogen playing his usual self with a bit more restrain and depth in a film that needed some of his warm comic relief.
50/50 handsomely balances comedy with drama, giving more room to the former until the final few scenes unfold.
I would have still liked a film that was a bit more personal and less lighthearted, yet still infused with some of the comedy that made it work so well.
Rating: 3.5/5 (good)