In a year that has so far given us so many things to talk, argue and worry about, there was one thing everyone in Chicago seemed to agree on: Winter needed to end. So, here we are, after a reluctantly cold and snowy April, finally enjoying the first gush of summer breeze moments before the Groundhog was forced to quit its less than admirable job.
When it comes to the movies, both March and April were fruitful, having caught up with 20 new films in total, 10 on each month. Out of those 20 only 4 received a 4 out of 5 rating or higher, of which Isle of Dogs, Call Me by Your Name and Florida Project will be considered as candidates to the Blog of Big Ideas’ Top 250 Essential Films.
Continue reading Months in Review: films of March & April (part 1)
The year that is about to end was a year of change. On January the 1st, I found myself in a strange town, emotionally hurt and surrounded by people I did not want to be surrounded by. It was the least auspicious beginning to a year that I can remember.
Fortunately, life has a way of sneaking up on you, for good and bad, and less than two months later I welcomed a new person in my life that has made me rediscover love, and regain the hope that happiness is not only attainable, but that it has always been within my reach should I dare to make some changes.
Continue reading Year in Recap: Best of 2017
In anticipation to the 89th Academy Awards, I have decided, unlike years prior, to post a list of my favorite films released in 2016. As it were, this is an ever-changing list which will shift and evolve as years pass, as both my tastes and my impressions on filmmaking continue to change. This is also, I presume, an incomplete list missing some highly praised bits of cinema like: The Hunt for the Wilderpeople, Toni Erdmann, The Salesman, 20th Century Women, Paterson, Elle, Fences, Lion, and some others. With that in mind, I’m satisfied with the collection of more than 60 films I did manage to watch that were released in the US in 2016. The list of “favorites” adds up to 15 films, which represents the amount of movies that I gave at least a 4 out of 5 rating.
At the end of the post I will also offer some thoughts on the top categories for the Oscars, regarding who should win and who will likely be taking an statuette back home.
Continue reading Preview to the Academy Awards. Best Films of 2016
January is a month of cold weather, new year resolutions and catching up with films released in the latter part of the bygone year. It is also the month of the much-anticipated Academy Awards nominations, and a sleuth of other award shows where Hollywood practices a yearly ritual of congratulating itself.
January was a good and productive month in every respect for me. In terms of film, I managed to watch a total of 14 (more than my usual of 10 or 11) with a very high average score of 3.61 out of 5. January was also the first time in about two years that I felt compelled to give a film a perfect score (La La Land), while a couple of others received 4 out 5. This month came my discovery of SyFy’s series “The Expanse“, which is easily the best first season to a science fiction show since Battlestar Galactica.
Without further ado, below is the compendium of short reviews for films in the order in which they were watched. At the bottom you will find my impressions on The Expanse.
Continue reading Month in Review: January films and tv
Like I did with the men a couple of days ago, I give you my list of favorite female performances of the last five years in lieu of a best films of 2013 list as we are just hours away from celebrating the New Year.
I highly encourage anyone reading to make recommendations as to whom should have made my list instead.
Continue reading Top 10 female performances of the last 5 years
In the last three months I have maintained my quota of watching 10-12 films per month, but my blogging has suffered terribly. My commitment in the short term is to get back to posting more often. The attempt to do so begins with this massive recap of films I have seen recently. In addition, I already have finished two other postings that I plan to publish in the coming days. One is a full review of Alfred Hitchcock’s Notorious, my 6th review in my marathon of the director (which needs to pick up). The other is a special look at the largely overlooked Netflix original show “Orange is the New Black” which will kick-off Television reviews in this blog.
Without further ado, here is a compendium of short reviews of all the films watched this past summer (in no particular order):
Continue reading Mega Film Recap: July, August & September
Director: Luc Besson
Cast: Jean Reno (Leon), Natalie Portman (Mathilda), Gary Oldman (Stansfield)
Before emotionally troubled hitmen were popularized once again by characters like Jason Bourne, director Luc Besson brought “Leon: The Professional” to the big screen. Played by the effortlessly cool and capable Jean Reno, the film has amassed a cult following ever since it was released in 1994, helping to cement its position close to the top of the IMDB Top 250 list.
Jean Reno plays Leon, a rather unremarkable middle aged hitman who has grown to become the ultimate expression of strategic and methodical violence. He works for a single client, local mob boss Tony (Danny Aiello), who has taken him under his wing ever since he landed as an illiterate immigrant in the New York harbor. Continue reading IMDB Top 250: Leon: The Professional