Following my previous post in which I summarized my thoughts about film in 2011, I think it would be interesting to continue the so-called “Vanguard Award” idea and expand it to include categories that are handed out in the Academy Awards.
The Vanguard Awards will be handed out by The Blog of Big Ideas to films, actors, and film makers that advanced cinema with their artistic vision and dexterity, helping to construct some of the most interesting pieces of art of the last year. It will be an annual award handed out on the same day as the Oscars. In subsequent posts of this coming year, I will be nominating films that I think should be given consideration until it all comes to a close with the awards themselves.
The Vanguard Award will be given to films of artistic relevance, where there are aspects that are unique, original and that may even be considered ahead of its time. This is not to say that the recognition I give to these films necessarily means that these are the films I thought were the best, just the most thought-provoking.
♦ Vanguard Film ♦
Drive (Nicholas Winding Refn)
Melancholia (Lars Von Trier)
The Tree of Life (Terrence Malick)
Take Shelter (Jeff Nichols)
Bellflower (Evan Glodell)
Continue reading The Blog of Big Ideas’ 1st Annual Vanguard Awards
Seeing that the Academy Awards are just around the corner, I would like to cave to the award craze and present a list that is representative of my take on the last year in film, which is intended to be a substitute of the top 10 of 2011, which I still can’t publish because I’m missing some promising films. I hope you all enjoy it.
The Year of Brad: arguably the best year in Brad Pitt’s career as he was involved in the awe-inspiring Tree of Life and the touching Moneyball.
Continue reading 2011 in film, a preview to the Oscars
As I managed to finally close a project at the firm I work in just this past weekend, the Academy Awards announced their nominations for the best in another year of film.
As always, the Academy surprises all of us, in positive and negative ways, unless you are at the ends of the spectrum of taste that is. For those who enjoy blockbusters or mainstream cinema, the Academy gave several nominations to “Bridesmaids”, “The Help” and “Puss in Boots”. If, on the other hand, you love smaller, modest films, the Academy gave space to “Albert Nobbs” or “A Better Life”. Even for those who enjoy the oddballs, art-house type films, the Academy managed to shine a light, even if it was a very dim one at that, to films like “The Tree of Life” and “Drive” (it was only nominated for technical awards).
Having said this, lets dig in deeper and talk about each category while I throw in my predictions:
Continue reading A few words about the Academy Awards nominations
In this post of “1-minute reviews” I analyze three films that I have seen over the last couple of weeks: Melancholia, Baaria and The Devil’s Double.
Melancholia (Lars Von Trier – 2011)
If judged from a purely visual standpoint, the latest film by Danish director Lars Von Trier is as stunning as anything you will see in theaters on this or any year. The large mansion, the expansive landscapes and the endless skies all serve to build a cinematography that is elegant and captivating, setting the stage for extremely detailed characters that express a plethora of emotions that range from complete and utter desperation to a quiet sense of resignation.
Continue reading 1-minute reviews: Melancholia, Baaria and The Devil’s Double