Due to the holidays and a substantially less demanding workload, I was able to watch more than my usual amount of films, reaching a total of 17 films in 31 days (I actually watched Movie 43 in December, but decided to include it in my previous monthly recap).
The average score for the last month of 2013 was a respectable 2.88. However, I only watched two films that cracked 4 out of 5 or more, with only Reservoir Dogs as a clear candidate to comfortably make my much-delayed Top 250 favorite film list. Worthy of notice is that December was also very 2013-heavy, with 12 films released in the last solar year, and only one film, the aforementioned Reservoir Dogs, that was released before the turn of the 21st century.
Here are the films in the order in which I watched them:
THE FACTORY (2012) [2.5/5]
Continue reading Month in review: December films
I find myself back at my IMDB top 250 challenge after a couple of months without a single post. Magnolia, directed by Paul Thomas Anderson, marks only my 14th review since I began this series in March, which tells me I need to pick up the pace if I am ever going to finish.
Released in 1999 to critical acclaim, Magnolia is not only engrossing, but it is the sort of movie that lends itself to analysis for its purpose does not easily come across. In fact, there are sequences of the film which are downright odd, though imbedded with symbolic meaning.
Magnolia is a poem written and produced in cinematic form. It comes across as a tragedy filled with tender, highly emotional moments where lives either get significantly and permanently altered, or they meet their unavoidable end.
Continue reading IMDB Top 250: Magnolia (1999)