Genre: Drama, Horror
Cast: Tilda Swinton, John C. Reilly, Ezra Miller
Director: Lynn Ramsay
There is something wrong with Kevin, the director knows it, the camera knows it and we are certain of it. Eva, his mother, played by a glum Tilda Swinton, feels that there is something wrong but she can’t quite pinpoint it or act upon it. From the moment she was pregnant, she was not at ease, perhaps even saddened at the fact that her carefree lifestyle of travels had been suddenly replaced by a growing fetus inside her uterus. Franklin, her husband, played by an aloof John C. Reilly, could not be happier about the birth of their first child, unaware of his wife’s discomfort.
During the first years of child rearing, even before he can speak fluently, Kevin seems rebellious and distant towards Eva, almost looking at her with a mixture of anger and disdain. Maybe he can feel her mother’s hesitation during pregnancy? As Kevin grows older, he seems to begin to grow ever more distant, defiant and hurtful, seemingly preferring the company of his father, the ever-loving and increasingly permissive Franklin.
Continue reading Film Review: We Need To Talk About Kevin (2011)
Following my previous post in which I summarized my thoughts about film in 2011, I think it would be interesting to continue the so-called “Vanguard Award” idea and expand it to include categories that are handed out in the Academy Awards.
The Vanguard Awards will be handed out by The Blog of Big Ideas to films, actors, and film makers that advanced cinema with their artistic vision and dexterity, helping to construct some of the most interesting pieces of art of the last year. It will be an annual award handed out on the same day as the Oscars. In subsequent posts of this coming year, I will be nominating films that I think should be given consideration until it all comes to a close with the awards themselves.
The Vanguard Award will be given to films of artistic relevance, where there are aspects that are unique, original and that may even be considered ahead of its time. This is not to say that the recognition I give to these films necessarily means that these are the films I thought were the best, just the most thought-provoking.
♦ Vanguard Film ♦
Drive (Nicholas Winding Refn)
Melancholia (Lars Von Trier)
The Tree of Life (Terrence Malick)
Take Shelter (Jeff Nichols)
Bellflower (Evan Glodell)
Continue reading The Blog of Big Ideas’ 1st Annual Vanguard Awards
My relationship with film this year has started in earnest. After a lackluster month of December in which I watched very few films, I decided to play catch-up and, at the same time, aim for some of the quality films I missed last year, with only a couple of exceptions and a few repeats.
Following is a list of all the films I have watched so far this year. I have written a small review for each film, with the exception of those I have already analyzed on this blog:
50/50 ( Jonathan Levine – 2011)
A well-written, efficient and heartfelt film about overcoming adversity and deepening relationships with the ones you love. A very compelling Joseph Gordon-Levitt stars alongside Seth Rogen playing his usual self with a bit more restrain and depth in a film that needed some of his warm comic relief.
50/50 handsomely balances comedy with drama, giving more room to the former until the final few scenes unfold.
I would have still liked a film that was a bit more personal and less lighthearted, yet still infused with some of the comedy that made it work so well.
Rating: 3.5/5 (good)
Continue reading Film Reviews Recap – January 2012
Director: Azazel Jacobs
Cast: John C. Reilly (Mr. Fitzgerald), Jacob Wisocki (Terri), Bridger Zadina (Chad), Olivia Crocichia (Heather)
With “Terri” I begin a whole new approach to my film reviews. I will no longer have the “1-minute reviews” posts if the movies at hand are worth analyzing more fully and in response to the often incomplete and insatisfactory nature of my recent shorter reviews.
With that in mind, lets go back to today’s review.
“Terri” is a cute little film that follows a High School teenager that bears the name of the movie’s title. Terri is overweight, some would say obese, a fact that makes him the target of bullies and the source of some of his insecurities. No less important to his predicament is that Terri lives alone with his uncle, an old man suffering from Alzheimer’s disease who is not fully capable of raising a troubled teenager.
Continue reading Film review: Terri (2011)
I find myself back at my IMDB top 250 challenge after a couple of months without a single post. Magnolia, directed by Paul Thomas Anderson, marks only my 14th review since I began this series in March, which tells me I need to pick up the pace if I am ever going to finish.
Released in 1999 to critical acclaim, Magnolia is not only engrossing, but it is the sort of movie that lends itself to analysis for its purpose does not easily come across. In fact, there are sequences of the film which are downright odd, though imbedded with symbolic meaning.
Magnolia is a poem written and produced in cinematic form. It comes across as a tragedy filled with tender, highly emotional moments where lives either get significantly and permanently altered, or they meet their unavoidable end.
Continue reading IMDB Top 250: Magnolia (1999)