Just the other day this little space of mine turned 8 years old. As I write these lines it dawned on me that I started writing about film almost a year after I lost my dad. This blog, like many other things in my life at the time, was a manifestation of an idle mind that was seeking for motivation, purpose and new passions in the midst of nostalgia and unshakeable sorrow.
Continue reading A pocketful of reviews, part 1
The year that is about to end was a year of change. On January the 1st, I found myself in a strange town, emotionally hurt and surrounded by people I did not want to be surrounded by. It was the least auspicious beginning to a year that I can remember.
Fortunately, life has a way of sneaking up on you, for good and bad, and less than two months later I welcomed a new person in my life that has made me rediscover love, and regain the hope that happiness is not only attainable, but that it has always been within my reach should I dare to make some changes.
Continue reading Year in Recap: Best of 2017
The tail end of winter seems to have left us and, with it, the start of a new romance in my life. For that and other professional reasons, I have, once again, neglected this blog of mine. Even so, my appetite for movies remains unchanged even if life has a way of sneaking up on the time you thought you had.
In the last three months (February, March and April) I have watched a total of 24 films. The average rating for these has been a solid 3.34 out of 5. There have been a handful of highlights courtesy of a group of films from 2016 that sit among the best reviewed of the year. Such are Fences, Edge of Seventeen, Hidden Figures and Lion. However, I have also been disappointed with cinematic efforts that I was genuinely excited to see. Such are Florence Foster Jenkins, Ghost in the Shell and, to some extent, Hacksaw Ridge.
Continue reading Months in Review: February, March & April
In anticipation to the 89th Academy Awards, I have decided, unlike years prior, to post a list of my favorite films released in 2016. As it were, this is an ever-changing list which will shift and evolve as years pass, as both my tastes and my impressions on filmmaking continue to change. This is also, I presume, an incomplete list missing some highly praised bits of cinema like: The Hunt for the Wilderpeople, Toni Erdmann, The Salesman, 20th Century Women, Paterson, Elle, Fences, Lion, and some others. With that in mind, I’m satisfied with the collection of more than 60 films I did manage to watch that were released in the US in 2016. The list of “favorites” adds up to 15 films, which represents the amount of movies that I gave at least a 4 out of 5 rating.
At the end of the post I will also offer some thoughts on the top categories for the Oscars, regarding who should win and who will likely be taking an statuette back home.
Continue reading Preview to the Academy Awards. Best Films of 2016
Now that we’ve arrived to the end of February, I thought it was as good time as any to share some of my thoughts on the films I’ve seen and haven’t had a chance to review since the turn of the year.
SILVER LININGS PLAYBOOK (2012)
An emotional drama with a touch of comedy punctuated by a very strong cast. Silver Linings offers just enough to think about and some to laugh at. A bit less transcendental than the awards season have made it out to be, but powerful enough to merit some recognition.
Highlight: the performance by Jennifer Lawrence + the return to form of Robert De Niro
Downside: it has its share of cliches and some sequences feel forced.
Continue reading Films watched: January & February mini reviews
After nearly two months of absence, I return to blogging with a review of the best 2012 film I have seen so far. Enjoy!
Genre: drama, comedy.
Cast: Jake Gyllenhaal, Michael Pena, Anna Kendrick, David Harbour, Natalie Martinez
Director/Writer: David Ayer
In the long history of buddy movies that have emanated from Hollywood, End of Watch is among the most powerful, realistic and genuinely funny ones I have had the pleasure to watch.
The relationship that develops between Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Pena), two decent LAPD patrol officers, is absolutely fun to watch. There is great authenticity and intensity in the performances, carrying the film with undeniable street charm through occasional patches of police cliches and shaky camera work.
Continue reading Film Review: End of Watch (2012)